论五四新文化运动与南开话剧运动的兴衰始末  

The May Fourth new culture movement and the drama campaign of Nankai

作　　者：宋宇[1] 

机构地区：[1]南开大学文学院,天津300071

出　　处：《河北师范大学学报（哲学社会科学版）》2016年第6期97-103,共7页Journal of Hebei Normal University(Philosophy and Social Sciences)

摘　　要：作为一种中国早期学生演剧团体发展模式的典型,南开话剧团浸染于西方话剧的理论与模式,脱臼于文明新戏的传统与规范,既是文学革命在文学形式改革层面重要的组成部分,又是中国话剧从萌芽期向现代话剧转型的标志,它的兴起、发展、繁荣和衰落与五四新文化运动有着密切的关系。一方面,在开通民智、改良社会的教育理念与新文学写实主义风格的形成等层面,二者有着互相的渗透与相互的促进;另一方面,作为整个新文化运动的高潮——五四学生运动既是南开话剧运动走向巅峰的契机,又成为南开话剧运动由盛转衰的节点。This paper accounts about the pattern of performances by early Chinese students who form a group. The Nankai drama group has taken the theory and practices from the west, grown out of the traditional style of new dramas. The appearance of the group marks transformation of literary revolution and style, and the turning of Chinese dramas from its birth to modernity. Its development is largely connected to the May Fourth new culture. On the one hand, it helps to enlighten educational conceptions. And on the other hand, it marks the climax at the May Fourth campaign and the declines of the Nankai drama campaign.

关 键 词：五四新文化运动 南开话剧运动 文学革命 新剧改革 

分 类 号：I206.6[文学—中国文学]