夏目漱石《心》中K的主体性反思  

Reflection of K's Subjectivity in Natsume Soseki's Kokoro

作　　者：梁懿文[1,2] 杨剑[3] 

机构地区：[1]山东大学外国语学院,山东济南250100 [2]山东大学(威海)翻译学院,山东威海264209 [3]青岛大学外语学院,山东青岛266071

出　　处：《东方论坛（青岛大学学报）》2016年第6期85-91,共7页Eastern Forum（JOURNAL OF QINGDAO UNIVERSITY）

摘　　要：在西方个人主义思想影响下,K的"真实自我"成为"理想自我"的祭品,标志着K以极端个人主义的方式确立主体性的实践归于失败。夏目漱石提倡充满浓厚伦理色彩的"道义上的个人主义"主体,而K的主体性是以自我为中心的、不包含交互主体性的单独主体性。这种主体性在实践中必然遭到失败。夏目漱石借由《心》中K的形象塑造,批判了近代日本社会对西方个人主义的囫囵吞枣、盲目仿效,这对当前中国社会具有重要的借鉴意义。Under the influence of Western individualism, K＇s ＂true self＂ has become the sacrifice for ＂ideal self＂, marking the failure of K to establish subjectivity in an extremely individualistic way. Natsume Soseki advocated the subject of ＂moral individualism＂, which is full of strong ethics, but K＇s subjectivity is a kind of self-centered individualism, an individual subjectivity which does not contain intersubjectivity. This kind of one-sided, narrow, extreme, immature subjectivity in practice is bound to be a failure. By shaping the figure of K in ＂heart＂, Natsume Soseki criticized the superficial understanding and reckless imitation of Western individualism in modern Japanese society. It has an important reference value to the current Chinese society.

关 键 词：近代日本 K 道义上的个人主义 主体性 精神分析 

分 类 号：I106[文学—世界文学]