“报刊影评”:1930年代左翼影评的生产策略  

Film Review in the Newspaper: Production Strategy of the Left- Wing Film Review in the 1930s

作　　者：张晓飞[1] 

机构地区：[1]辽宁大学广播影视学院,辽宁沈阳110036

出　　处：《辽宁大学学报（哲学社会科学版）》2017年第1期115-120,共6页Journal of Liaoning University(Philosophy and Social Sciences Edition)

基　　金：辽宁省社科规划基金项目"左翼电影批评及其对当下中国电影发展的启示"(L12DZW009)

摘　　要：报刊作为现代大众传媒的主要形式,与同为大众传媒的电影有着难解难分的历史渊源。1930年代的左翼电影文化运动中,左翼影评人以进步电影创作为资源,适应民族斗争的需要,依靠党的直接领导,团结各种进步力量及广大电影爱好者,密切关注电影转型期的现状,树立自觉的影评意识,利用当时的大报副刊和几十种电影期刊等大众媒体,开展了积极的"报刊影评"活动,成为中国电影理论史上的一大壮举,"报刊影评"也成为中国电影批评的传统方式。报刊和影评互动,刊载左翼影评扩大了报刊的销量,而报刊为左翼影评的生产、传播、留存也做出了不可磨灭的历史贡献。As the main form of modern mass media, newspapers and periodicals are deeply connected with films, another form of mass media. In the left-wing cultural movement during the 1930 s, to meet the need of national struggle, the left-wing critics launched a＂film review＂campaign actively based on the creation of progressive films. Under the direct leadership of the Communist Party, they united various progressive forces and film lovers, cultivating the consciousness of film criticism. They relied on the newspaper supplements and dozens of film journals and other mass media, making film review a traditional way of Chinese film criticism.Their effort became a great feat in the history of Chinese film theory. The left-wing film criticism increased the newspaper sales and, in turn, the newspapers made an indelible contribution to the production, dissemination and retention of the left-wing film review.

关 键 词：左翼影评 报刊影评 大报副刊 电影期刊 公共空间 

分 类 号：J905[艺术—电影电视艺术]