消费时代体育纪实片悖论性命运把脉——以《体育人间》为例  

Fate of sports documentary paradox in the consumption era——Taking "Sports World" as an example

作　　者：刘惠娟[1] 王庆军[1] 

机构地区：[1]南京师范大学体育科学学院,江苏南京210097

出　　处：《山东体育科技》2016年第5期24-27,共4页Shandong Sports Science & Technology

摘　　要：体育纪录片以一种传播体育文化,弘扬体育精神的形象出现在公众面前,它丰富了体育类节目,使得体育人文关怀不再缺失。体育纪实片的本质追求是人文情怀,但在消费时代下,受收视率的影响,迎合大众趣味却成了无奈之举,这也造成了体育纪实片悖论性的命运。以《体育人间》为例,运用文献研读、观察、归纳演绎、对比等研究方法,分析体育纪实片的现实状况及理想追求,并针对体育纪实片更好地传播体育文化提出相应的对策和建议。Sports documentary appears in public with an image to spread sports culture and carry forward the spirit of sports. It enriches sports programs,making sports humanistic care no longer missing. The essence of sports documentary pursuit is humanistic feelings,but under the influence of audience ratings in the era of consumption,it has no choice but to cater to the public interest,which has caused the paradoxical fate of sports documentaries. This article by taking the ＂ Sports World＂ as an example,using literature study,observation,inductive and deductive,comparative research methods,has analyzed the reality and ideal pursuit of sports documentaries,with a view to give corresponding countermeasures and suggestions for sports documentaries to better spread sports culture.

关 键 词：消费时代 人文情怀 大众趣味 《体育人间》 体育纪实片 

分 类 号：G80-054[文化科学—运动人体科学]