从文类看中国当代小说的回归传统  

On the Return to Literary Tradition of Chinese Contemporary Novels from Genre

作　　者：梅兰[1] MEI Lan(Department of Chinese Language ＆ Literature/Contemporary Chinese Literature Study Center, HUST, Wuhan 430074, Chin)

机构地区：[1]华中科技大学中文系/中国当代写作研究中心,湖北武汉430074

出　　处：《华中科技大学学报（社会科学版）》2017年第1期68-72,共5页Journal of Huazhong University of Science and Technology(Social Science Edition)

基　　金：中央高校基本科研业务费研究项目(2014AA007)

摘　　要：本文从文类角度探讨中国当代小说的回归传统现象,认为中国小说的主流属于俗文学,是韵散间杂的说唱文学传统,这形成了中国小说在文类上的异类混杂特点;从这个传统来看,中国当代小说虽然在言语体裁的混杂上有诸多尝试和实验,但真正能够贯彻异类混杂的非同一性立场,吸纳日常的言语体裁进入小说,创造新的言语体裁的当代小说并不多。This paper elucidates the phenomenon of return to literary tradition of contemporary Chinese novels from the viewpoint of genre. The mainstream of Chinese traditional novels belong to folk literary, in oth- er words, talk ＆ sing literature in which rhyme and prose intermingled, forming the heterogeneity characteris- tic ofg enres in Chinese novels. From this point of view, although there are many attempts and experiments of mixing different discourse genres, the creation of new discourse genre is yet very few in Chinese contemporary novels, which absorbed the folkdiscourse genre into contemporary novel by the non - identity standpoint of het- erogeneity.

关 键 词：文类 当代小说 回归传统 言语体裁 

分 类 号：I206.7[文学—中国文学]