“童心说”与浪漫主义童年美学的中国传统  

“Theory of Childlike Innocence” and the Chinese Aesthetic Tradition of the Romantic Childhood

作　　者：赵霞[1] 

机构地区：[1]浙江师范大学儿童文化研究院,浙江金华321004

出　　处：《浙江师范大学学报（社会科学版）》2017年第1期36-42,共7页Journal of Zhejiang Normal University(Social Sciences)

基　　金：浙江省哲学社会科学规划课题"当代童年文化消费现象的审美研究"(14NDJC230YB)

摘　　要：李贽的"童心说"对"童心"的褒扬虽然旨在寄托对晚明社会的文化批判,却以其特殊的方式肯定了日常生活中童年生命形态的某种价值,从而有别于此前中国古代哲学思想中的"赤子"象征。在李贽的思想中,借童心符号得以传递的人的活泼性情与生命力量,被寄寓了某种文化重赎的重要使命,它既与现代西方的浪漫主义童年美学传统形成了跨越时空的呼应,又体现了中国本土浪漫主义童年美学传统的特殊取径。Li Zhi ＇ s ＂Theory of Childlike Innocence＂ praised the ＂ childlike innocence＂ to express his cultural critique of the society in the late Ming Dynasty, which in a particular way enhanced the value of the everyday child life, and thus differed from the symbol of ＂newborn infant＂ in the earlier Chinese philosophical thoughts. The vivid personality and living power implied in Li, s theory pointed to a mission of cultural redemption. It not only echoed the modem aesthetic tradition of the romantic childhood in the western culture across time and space, but also reflected the native development of the romantic aesthetics of childhood in Chinese.

关 键 词：童心说 李贽 浪漫主义 童年美学 

分 类 号：I206[文学—中国文学]