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作 者:谭陶[1]
机构地区:[1]安徽财经大学文学与艺术传媒学院,安徽蚌埠233030
出 处:《齐齐哈尔大学学报(哲学社会科学版)》2017年第1期152-154,共3页Journal of Qiqihar University(Philosophy & Social Science Edition)
基 金:2012年度教育部人文社会科学研究项目(12YJC760073)阶段性成果
摘 要:徽州砖雕风格清秀雅致,刀工细腻精致,线条柔和纤细,花卉图案多层重叠,内容则出现戏文、传说等民俗图案,人物图案注重故事情节的完整和艺术语言的叙事功能。山西砖雕风格浑厚朴实,恢弘大气,刀刻线条粗犷明晰,构图浑朴厚重,内容相对简明独立,花卉图案繁复,多有凸雕的花瓣出现,而且墙字、匾额、楹联和碑刻较多。Huizhou brick-carving has been characterized by a delicate and elegant style, exquisite knife, gentle and slender lines, moreover overlapped floral design. Operas and folk legends appear in its contents. The figures patterns pay attention to the integrity of the plot and the narrative function of artistic language. Shanxi brick-carving has been characterized by simplicity and honesty, grand atmosphere, and rough and clear lines. Its composition is the simple and honest. Its content is relatively simple and independent. Floral Patterns are complicated and rilievi petals often arise. Furthermore, they are decorated with wall characters, tablet and couplets and monument,
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