当代法国文学镜像中的文化身份  

Cultural Identity through the Lens of Contemporary French Literature

作　　者：刘成富[1] Liu Chengfu(School of Foreign Studies,Nanjing Universit)

机构地区：[1]南京大学外国语学院

出　　处：《当代外国文学》2016年第4期154-159,共6页Contemporary Foreign Literature

基　　金：国家人文社科研究一般项目"文化身份与现当代法国文学"(09BWW023)的子项目成果

摘　　要：从文化身份的视角,本文对加缪、杜拉斯、昆德拉、勒克莱齐奥、胡方、程抱一、维塞尔以及法国海外文学进行全面的观照,深刻揭示当代法国文学镜像中基督教与伊斯兰教、东欧文化与西欧文化、古老的非洲文明与"先进的"西方文明、犹太教与基督教、印第安人与白人以及东西方文化之间的矛盾和冲突。文化身份问题与法国社会文化思潮紧密相连,是时代发展的必然产物。From the perspective of cultural identity,this paper examines Albert Camus,Marguerite Duras,Milan Kundera,Jean-Marie Gustav Le Clezio,Jean-Christophe Rufin,Francois Cheng,Elie Wiesel and French overseas literature to reveal contradictions and conflicts between Christianity and Islam,Eastern culture and Western culture,ancient African civilization and ＂advanced＂ Western civilization,Judaism and Christianity,aboriginals and whites in the mirror of contemporary French literature.The issue of cultural identity is closely related to French social and cultural thought as inevitable outcome of social changes.

关 键 词：文化身份 文学镜像 冲突 社会思潮 

分 类 号：I565.06[文学—其他各国文学]