《龙眠风雅》的诗学传统  

On the Poetic Tradition of Dragon Sleeping in Elegance

作　　者：潘林[1] 

机构地区：[1]肇庆学院西江历史文化研究院,广东肇庆526061

出　　处：《安庆师范学院学报（社会科学版）》2016年第6期6-10,共5页Journal of Anqing Teachers College(Social Science Edition)

基　　金：教育部人文社会科学研究项目"明代七子派接受史研究"(12YJA751051);肇庆市2015年度社会科学规划项目"西江流域明诗选本研究"(15ZC-07)

摘　　要：桐城地区特殊的地理位置与自然环境造就了它悠久的文化传统,其诗歌创作受儒家及程朱理学的深刻影响,诗学审美表现为具有风雅传统的显著特征。正是在这种审美特征的影响下,《龙眠风雅》选录的诗人、诗歌既以风雅传统为核心,又为桐城地域诗歌的生成和持续发展指出了方向。The special geographical position and surroundings of the Tongcheng area have created its long cultural traditions, and poetry creation there was deeply influenced by Confucianism and CHENG and ZHU＇s Neo-Confucianism. Elegance was a typical feature of poetic aesthetics. Under the influence of it, the poets and poems in Dragon Sleeping in Elegance, with the elegant tradition as the core, dominated the creation and continual development of Tongeheng poetry.

关 键 词：《龙眠风雅》 潘江 风雅传统 桐城 

分 类 号：I207.2[文学—中国文学]