恩施土家族文化旅游的审美表征与文化传播  

The Aesthetic Representation and Cultural Transmission of Tujia Ethnical Cultural Tourism in Enshi

作　　者：王志勇[1] 

机构地区：[1]中南民族大学美术学院,湖北武汉430074

出　　处：《贵州民族研究》2016年第12期132-136,共5页Guizhou Ethnic Studies

基　　金：中央高校专项资金项目"土家族旅游文化品牌形象视觉传达设计研究"(编号:CSQ10010)

摘　　要：当前兴起的民族旅游推动了少数民族文化在后现代时期的传播和复兴,增强了个体的身份认同和集体记忆。以恩施土家族文化旅游为例,可以分为以吊脚楼为代表的物质性元素和以舞蹈民歌为代表的非物质性元素等两个层面。这两者共同构架了民族旅游的魅力与面貌,并进而以文化"符号"的形式实现本民族的"身份认同"和外民族的"文化传播",由此,构成了民族旅游及其审美文化的双重结构框架,并将继续在历史的延续和传承中发挥积极而重要的作用。The rise of ethnical tourism promotes th e spreading and revival of ethnical minorities＇ culture in the postmodern period,strengthening individual identity and collective memory as well. Enshi Tujia ethnical cultural tourism,as an example, can be categorized into stilted houses representing material elements and folk dance non-material elements.These two aspects constitute the form and content of ethnical tourism there, and as cultural＂ symbol＂ incarnate internal＂identical＂assimilation within the ethnical group and external cultural transmission to the outer world. Thus,they form the dual structure of ethnical tourism and its aesthetic culture,and will continue to play an active role in the inheritance of tradition.

关 键 词：土家族 民族旅游 吊脚楼 审美文化 符号 

分 类 号：I207.963.73[文学—中国文学]