从家学与师承看“二冯”诗学的“七子”派渊源  

A Study of the Origin of "the Feng Brothers" Poetics from Home Influence and Discipleship

作　　者：李亚峰[1] 张幼良[1] Li Yafeng Zhang Youliang(Ph.D. , is an associate professor in the school of humanities, Changshu Institute of Technology （ Changshu 215500, China)

机构地区：[1]常熟理工学院人文学院

出　　处：《文艺理论研究》2017年第1期96-104,共9页Theoretical Studies in Literature and Art

基　　金：江苏省高校哲学社会科学基金资助项目"清初虞山诗人群体研究"[项目编号:2013SJB750001];常熟理工学院社科项目"虞山诗派文献整理与研究"[项目编号:QS1301];江苏省社科基金重点项目"虞山诗派文献整理与研究"[项目编号:14ZWA001]的阶段性成果

摘　　要：海虞"二冯"被誉为"虞山诗派"之"疑丞",历来研究者都将其视为明末清初反对"七子"复古诗风的中坚力量,几乎没人注意到他们与复古派之间的内在联系。这不仅不利于认识"二冯"诗学的真正面目,也不利于厘清明清之际诗风转换的实际轨迹,从而影响了对"虞山诗派"地位和作用的正确认识和评价。从家学和师承两个二方面,对"二冯"诗学的渊源关系进行对比梳理,使我们可以清晰地看出,"二冯"诗学取径晚唐而上溯齐梁、推崇比兴、重视辞采、追求温柔敦厚等主要主张,深受其父冯复京的影响,与其师钱谦益的论诗宗旨颇相异趣,很大程度上是"七子"派"格调"诗学的一种内部超越和发展。The Feng brothers of Haiyu are important figures of the Yushan School of poets, and have been regarded as the backbone of those who opposed of the retro-poetics in the late Ming and early Qing dynasties. But few people have discovered the relationship between the Feng brothers and the retro school. This is not conducive to understanding their true poetics, and not conducive to clarifying the actual trajectory of poetry evolution from the Ming to the Qing. And this affects the correct understanding and evaluation of the status and the role of the Yushan School of poets. A comparative analyses of the poetic Origin of the Feng brothers from home influence and discipleship may enable us to conclude that the Feng brothers＇ poetics, influenced by the poetics of the late Tang and even the Qi and the Liang, values bi and xing, rhetoric, and moderation, which reveals the influence from their father and their tutor Qian Qianyi. This is to some extent an inner transcendence over and development of the ＂style and tone＂ of the ＂Qi Zi＂ （ the seven men of letters） School.

关 键 词：虞山诗派 “二冯” “七子”派 钱谦益 诗学 

分 类 号：I207.22[文学—中国文学]