现代文学神话书写中的仪式叙事  

Ritual Narration in the Composition of Myth in Modern Literature

作　　者：景莹[1] JING Ying(School of Liberal Arts, Nantong University, Nantong 226019, China)

机构地区：[1]南通大学文学院,江苏南通226019

出　　处：《南通大学学报（社会科学版）》2017年第1期56-61,共6页Journal of Nantong University:Social Sciences Edition

摘　　要：叙事文学起源于神话,已经被中西方文学广泛接受。神话与仪式密不可分,在文化人类学理论中,"神话的表述经常与仪式的实践相兼容",神话与神话仪式彼此包含,相互疏证。神话是人按照自己的形象创造的精神对话的伙伴,仪式是人如何与神灵沟通交流的对话机制。由此,神话仪式具有内涵和形式的双重性,具备了完整的叙事特征。仪式作为叙事的情节内容时,使心灵意识回归原始状态,拓宽了心理表现空间。仪式结构作为叙事文学的结构框架,传递出的则是隐藏于作品中的回归和超越意识。中国现代文学中的神话仪式体现为两种审美取向:外在的政治诉求趋向于启蒙、革命的话语体系,实现了关照社会的现实功能;内在的文学诉求趋向于回归人生、重返大自然这一主题,从而实现了超越现实的审美追求。Narrative literature originated from myth, which has been widely recognized both overseas and in China. Myth and ritual are inseparable, and, according to the theory of cultural anthropology, ＂the narration of myth is compatible with the practice of ritual＂. Myth and ritual are interwoven and mutual confirmation. Myth is a spiritual partner created by human according to his own image, and rite is the mechanism to communicate with gods. Therefore, myth ritual is of dual nature in connotation and form, and has a complete narrative feature. The treatment of ritual as the plot of narration can make consciousness be back to initial condition and extend the space of psychological performance. As the frame of narrative literature, ritual structure reveals the regression and surpassing hidden in works. There are two aesthetical tendencies in the myth ritual in modern Chinese literature, namely, the exterior political pursuit which realizes the caring of the society, and the interior literature pursuit which reveals the desire of surpassing the reality.

关 键 词：神话仪式 叙事内涵 叙事结构 

分 类 号：I206.6[文学—中国文学]