绝对音高者对音乐的加工及其神经机制  

Absolute Pitch: Music Perception and Its Neural Mechanisms

作　　者：海棠[1] 周临舒[1] 蒋存梅[1] 

机构地区：[1]上海师范大学音乐学院,上海200234

出　　处：《心理科学》2017年第1期51-57,共7页Journal of Psychological Science

基　　金：国家自然科学基金项目(31470972;31500876)的资助

摘　　要：绝对音高感是一种特殊的音高命名能力。通过论述绝对音高能力与音乐加工的关系,发现绝对音高者具有对音高、音程和旋律的加工优势,但他们对相对音高的加工存在劣势。同时,与非绝对音高者相比,绝对音高者大脑结构和功能都表现出特殊性。未来研究应进一步厘清音乐训练对绝对音高者音乐加工的影响。The evolutionary origin of music has become a controversial topic, given that music has no survival value. Unlike non-adaptationist theories, adaptationist theories argue that the human ability of music is the target of natural selection （e.g., sexual selection）. Important evidence for this hypothesis is that absolute pitch （AP）, an ability to name a pitch letter of an isolated musical note in the absence of a reference note, is associated with a specific genetic basis. In the domain of music education, AP has long been viewed as an important indicator of human musical talent. This view is based on the fact that several world-class composers and performers are known to possess AP. This is circular. Indeed, little is known about whether AP facilitates music processing. The aim of the current study is to review the existing literature on AP and investigate music perception and its neural mechanisms in AP.

关 键 词：绝对音高 音乐加工 音乐训练 神经机制 

分 类 号：J60-05[艺术—音乐]