创伤性记忆的自我隔离和审美表达——唐宋词战争灾难叙事的特殊模式  

Self Isolation from and Aesthetic Expression of Traumatic Memories:The Special Mode of Narrating Wars in Ci Poems of Tang and Song Dynasties

作　　者：王晓骊[1] 

机构地区：[1]华东政法大学人文学院

出　　处：《南京师大学报（社会科学版）》2017年第1期109-115,共7页Journal of Nanjing Normal University(Social Science Edition)

摘　　要：与诗体相比,唐宋词对战争灾难的叙事具有特殊性。作为受难者的词人,对惨痛的灾难记忆往往采取忽略细节和视角转换的方式,来隔离创伤性记忆带来的痛苦。同时,词委婉含蓄的文体风格也在很大程度上排斥具有伤害性且有损审美性的场景描写。出于自我保护本能的应激心理与更高层次的审美心理共同作用,形成了唐宋词对战争灾难的特殊叙事方式。Compared with jue ju （ four-line poems ） and lu shi （ eight-line poems ）, ci poetry of Tang and Song dynasties shows its particularity in the narrative of the war disasters. Victims of wars as they were, the ci poets usually chose to avoid the details of war memories or to look at the traumas from a different perspective in their works so that they could insulate themselves from the pain caused by the traumatic memories. At the same time, the euphemistic and implicit style featuring the ci poems at that period also made it impossible to a large extent for them to directly describe brutal scenes of the wars, which would damage the aesthetic nature of ci poems. The combination of pursuing self protection psychologically and making achievements aesthetically shaped the unique mode of narrating the wars in the ci poems of Tang and Song dynasties.

关 键 词：唐宋词 战争灾难 叙事模式 

分 类 号：I207.23[文学—中国文学]