斯克里亚宾24首前奏曲的(Op.11)演奏中的音乐风格  

The Music Style of Scriabin' s 24 Preludes(Op.11)During Performing

作　　者：朱虹[1] ZHANG Yue(Chinese National Academy of Arts, Beijing, 100027)

机构地区：[1]沈阳音乐学院,辽宁沈阳110818

出　　处：《吉林艺术学院学报》2016年第4期7-10,共4页Journal of Jilin University of Arts

摘　　要：斯克里亚宾作为音乐史上公认的艺术大师,其作品既保持了浪漫主义末期的艺术特点,又体现了鲜明的个性特征和时代特征。本文以前奏曲集Op.11为例,对斯克里亚宾早期的前奏曲的音乐风格进行了研究。文章从音乐形象特征和语言特征两方面,对斯克里亚宾前奏曲的音乐风格进行宏观的分析,指出其音乐形象具有强烈的戏剧性和深刻的抒情性特征,进而对其旋律、和声、调式调性等音乐语言特征,进行探析。Scriabin is recognized as a master of art in the history of music.His works not only maintain the artistic characteristics of the end of the romantic period,but also reflect the distinct personality and characteristics of his times.This article takes prelude Op.11 as an example,studying on the music style of Scriabin’ s early prelude.The macro analysis of the music style from the perspectives of music image and language features,shows the strong theatricality and deep lyricism,and explores the music language features of melody,harmony,mode and tonality.

关 键 词：斯克里亚宾 前奏曲 Op.11 音乐风格 音乐形象 音乐语言 

分 类 号：J607[艺术—音乐]