韩愈诗文之效体现象与“杜诗韩笔”再论  

The Phenomenon of Imitation in Han Yu's Poems and Essays and Another Discussion of “Du Fu's Poems and Han Yu's Essays”

作　　者：管琴[1] 

机构地区：[1]北京大学学报编辑部,北京100871

出　　处：《陕西师范大学学报（哲学社会科学版）》2017年第1期101-109,共9页Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)

摘　　要：文学作品中的"效体"除了效仿古人之外,还有一类效体是专门效仿同时代作家,尤其是与所写作品直接相关的友辈之文体与风格。唐代文人中,韩愈是善用"效体"的代表,他有意识地效仿孟郊、樊宗师、柳宗元、卢仝等人的文学风格,其效体不仅在诗歌中多有出现,还在散文尤其是墓志铭与赠序文中多有运用。这种因人设辞与善于虚构的手段也造成颇富戏剧化、情境化的文学效果。效体现象在唐代并不是个例,杜甫在唱和、酬赠诗中也善用效体,其效体与韩愈一样,明显具有因人设辞的特点,也均是效友辈之作。"杜诗韩笔"能够极诗文之正变,成为经典中的经典。分析杜甫诗与韩愈文中的相似现象,或可从新的角度佐证"杜诗韩笔"的特殊性。Imitation, a literary style, not only points to imitating ancient people, but also includes a literary style of imitating writers, especially friends in the same era. In the Tang Dynasty, Han Yu was a representative writer in this area. He used the skills to imitate Meng Jiao, Fan Zongshi, Liu Zongyuan and Lu Tong. This skill not only in poems, but also in essays, especially in inscriptions on the gravestones and prefaces. The imitation and imaginary means also generated a literary effect of dramatization and contextualization. The phenomenon of imitation not only appeared in Han Yu＇ s works, but also in Du Fu＇ s. They had some same characters The classic status of ＂Du Fu＇ s Poems and Han Yu＇ s Essays＂ has a relationship of the phenomenon of imitation. As we analyze the similar character of their works, we have a new view to prove the particularity of ＂Du Fu＇ s Poems and Han Yu＇ s Essays＂.

关 键 词：韩愈 效体 杜甫 杜诗韩笔 

分 类 号：I207.21[文学—中国文学]