石涛画论的易学美学思想研究  

Yi-ology Thought in Shi Tao's Painting Discourse

作　　者：张乾元[1] 

机构地区：[1]东南大学艺术学院,江苏南京210018

出　　处：《艺术百家》2016年第6期153-159,共7页Hundred Schools In Arts

基　　金：2015年度国家社会科学基金规划一般项目"<周易>美学研究"(项目编号:15BZX118)阶段性成果;2014年度教育部人文社会科学研究规划基金项目"孔子学院与中国艺术的海外传播"(项目编号:14YJA760051)阶段性成果之之一

摘　　要：《石涛画语录》十八章布局以及对《周易》辞章的确切引用与"太极"有着千丝万缕的联系。其中,"一画论"承载着太极"本体论"的美学思想,体现了易学太极为一的宇宙发生论和天旋地动的爻辰观。变通、尊受和蒙养之道都要求君子要以天道为尊,以正气为尊,以仁义德道为尊,自强不息,脱俗至清。"一画"理论对后世影响广深。The overall arrangement of Shi Tao＇s Paitiing Quotations and its quotation of the words of the Book of Changes all have countless ties with Tai Ji. His discourse of ＂ brushstroke＂ carries the aesthetic thought of Tai Ji ontology, and expresses the occurrence of the universe and the spinning of the universe. To adapt oneself to circumstances, to respect and to accept, and the Tao of preliminary cultivation all demand that the intellectual should respect the Tao of the heaven, respect integrity, and respect kindheartedness and justice, and should constantly strive to become stronger and be refined. Therefore, Shi Tao＇s discourse of ＂ brushstrokes＂ has exerted a great impact upon later generation art creation.

关 键 词：中国美学史 画论 一画 易学 太极 十八变卦 美学思想 

分 类 号：J20[艺术—美术]