“讲故事的人”之后——从《奇葩说》回看《实话实说》的停播  

After Story-teller——From “Weirdo Talk” Looking Back “Tell it like it is”

作　　者：李超[1] 

机构地区：[1]上海大学文学院,上海200444

出　　处：《德州学院学报》2017年第1期10-17,共8页Journal of Dezhou University

摘　　要：在《讲故事的人》一文中,本雅明将"讲故事的人"趋于消失的原因归结于资本主义生产方式所导致的现代人经验(Erlebnis)1的贫乏。他这一反思并不是为了回到过去,而是在当下召唤一种革命实践以求重建经验。而我国"社会主义革命"所进行的努力,在某种程度上通过社会主义经验达到了修补现代人贫乏经验的效果。当进入后革命时代,围绕现代化建设而导致了传统社会主义经验在公众视野中的消失,虽然"说"仍然作为一种艺术形式存在着,但作为其形式承载者的"脱口秀"节目(从《实话实说》停播到《奇葩说》大热)却经历着从经验的贫乏走向经验的溃散;经验不再成为决定与"说"相关艺术的好坏,取而代之生产方式,媒介变迁日益扮演着重要的角色。In ＂storyteller＂, Walter Benjamin think the reason why the storyteller tend to disappear is lack of experience in the capitalist mode of production. However, he is not to return to the past, but to sum- mon a revolutionary practice in order to reconstruct the experience in today. Our country＇s ＂socialist revolution＂, in some degree, can be said to contribute to repair the lack of experience of modern people by the socialist experience. Post revolutionary era, when the wave of the modernization‘s construction is destoying the socialist experience, though, ＂speaking＂ remains as a form of art survived, ＂talk show ＂based on the art of ＂speaking＂ has been from lack of experience to collapsibility of experience. Experience is no longer a standard for determining the art of ＂speaking＂ , instead of the mode of production, media change is playing an increasingly important role.

关 键 词：讲故事的人 经验 《奇葩说》 《实话实说》 新媒介 生产方式 

分 类 号：J90[艺术—电影电视艺术]