论现代汉语诗歌意象语言的遮蔽性  

On Obscurity of Image Language in Modern Chinese Poetry

作　　者：夏玲玲[1] 

机构地区：[1]湖北汽车工业学院外国语学院,湖北十堰442002

出　　处：《成都师范学院学报》2017年第1期61-68,共8页Journal of Chengdu Normal University

基　　金：湖北省教育厅人文社会科学研究青年项目"应用语言学视角下的现代汉语诗歌意象语言研究--以温东华诗歌为例"(15Q128)的研究成果

摘　　要：以现代汉语诗歌为语料,探索了诗歌意象语言遮蔽性的辞格表征形式。研究发现采用的语料中的诗歌意象语言倾向使用暗喻、拟人、重复、明喻,尤其是暗喻这一辞格来表达遮蔽性,转喻、典故、提喻辞格使用较少,移就、夸张、矛盾、突降、讽刺这些辞格使用极少。运用具体诗例进一步分析并探讨了不同辞格表征的意象语言的遮蔽力。现代汉语诗歌意象语言以不同程度的遮蔽力遮蔽情感、行为、事件和论说,通过此在言说它在,揭示价值和真理。This paper explores the representation of figures of speech of obscurity of image language through the analysis of the selected corpus of modern Chinese poetry,and finds that image language tends to employ metaphor,personification,repetition,simile,especially metaphor to achieve obscurity with much less employment of metonymy,allusion,synecdoche and little use of transferred epithet,hyperbole,onomatopoeia,anti-climax,and sarcasm.And the strength of obscurity of image language represented by different figures of speech is discussed further with concrete examples from the corpus.Image language with different degrees of strength obscures emotion,action,events and comments,expressing ' another being' through 'this being' and revealing value and truth.

关 键 词：现代汉语 诗歌语篇 意象语言 遮蔽性 辞格表征 

分 类 号：I207.2[文学—中国文学]