新文学光影后的民国“别体”文言小说  

On the "Special Form" of Classical Chinese Novels in the Republic of China

作　　者：张振国[1] 

机构地区：[1]黄山学院文学院,安徽黄山245041

出　　处：《中国海洋大学学报（社会科学版）》2017年第1期116-121,共6页Journal of Ocean University of China(Social Sciences)

基　　金：国家社科基金项目"民国文言小说史"(09CZW051);全国高校古委会直接资助项目"晚清文言小说叙录"(1305)阶段性成果

摘　　要：清末民初是我国小说创作模式发生重大变革的时期,到民国初期形成文言小说创作和变革高潮。这一时期除了产生数量众多的文言长篇章回体小说外,还产生了书信体、日记体、集锦体、"假传"体以及骈体文言小说,标志着我国文言小说在易代之际所进行的自我调适。但这些"别体"文言小说因处在提倡白话的新文学运动的对立面而成为学术研究的"盲区",梳理这类小说的存在状况可以证明我国小说创作模式和手法的现代化是由文言和白话小说共同完成的。There was a major change in the classical Chinese novel creation in the late Qing Dynasty and the early Republic of China. The classical Chinese novel creation and transformation came to a climax in the early period of the Republic of China. During this period, in addition to the classical Chinese chap-ter-styled novels, there appeared a lot of other special form classical Chinese novels such as epistolary no-vels and diary novels, which marked an innovative spirit of classical Chinese novels, and proved that the modernization of Chinese novels in patterns and methods was accomplished by the writings in classical and vernacular Chinese.

关 键 词：民国 文言小说 书信体 日记体 集锦体 

分 类 号：I206.5[文学—中国文学]