论谢肇淛《五杂俎》中的绘画观  

XIE Zhaozhe's View on Painting in Wuzazu

作　　者：王黎梦[1] 

机构地区：[1]忻州师范学院美术系,山西忻州034000

出　　处：《莆田学院学报》2017年第1期79-83,共5页Journal of putian University

基　　金：忻州师范学院院级青年基金课题(QN201424)

摘　　要：概述晚明文人谢肇淛在其著作《五杂俎》中,对绘画提出诸多见解。通过对内容注解、阐释和归纳,认为谢氏绘画观点和理论主张,主要有以下四点:指出古人绘画重叙事性题材,今人假托意趣为宗而重山水;疏理古今书画鉴藏观,提出今世书画收藏的谬处,书画收藏"七厄"以及书法与绘画收藏的区别;哀叹画家受到他人歧视而窘迫的社会地位;世人学习绘画比书法更难等。XIE Zhaozhe, a literatus in the late Ming Dynasty, put forward many ideas on painting in his book Wuzazu. Through annotation, interpretation and conclusion the content, the view and theory of his painting are analyzed in this paper. It has four aspects： Firstly, XIE argues that the subjects of ancient paintings are narrative-based, however, the present＇s are landscape-based and present more ideas in the paintings; Secondly, he gives the views of identification and collection of ancient and present painting and calligraphy. Taking his collections as example, he points out the faults of present＇s painting and calligraphy collection, ＂seven harms＂ of the collection of painting and calligraphy, and the differeces of collection between painting and calligraphy; Thirdly, the poverty-stricken social status of the painter for the discrimination by the others is discussed in the paper; Fourthly, the painting is much more difficult to learn than the calligraphy.

关 键 词：谢肇淛 五杂俎 绘画观 书画 

分 类 号：J202[艺术—美术]