艺术学视野下中国当代舞蹈的现代性研究  

Studies on the Modernity of Contemporary Chinese Dance in the Perspective of Art Studies

作　　者：仝妍[1] 

机构地区：[1]<北京舞蹈学院学报>

出　　处：《民族艺术研究》2017年第1期95-100,共6页Ethnic Art Studies

基　　金：2015年度国家社科基金艺术学项目<中国当代舞蹈发展的"现代性"研究--以历史书写与艺术实践为中心>(批准号:15BE060)课题阶段性成果之一~~

摘　　要：对中国当代舞蹈1发展的现代性特征评价及描述是中国当代舞蹈史研究的一个基本问题。从舞蹈艺术现象研究探寻艺术的普遍规律,是从舞蹈学的"特殊"到艺术学的"一般"。为了从"特殊"走向"一般",中国当代舞蹈发展的研究应以艺术实践和历史书写之"真象",突出对当代舞蹈发展实践的理论研究;试图运用提炼出的艺术观念去综合地考察舞蹈艺术类型案例,从中概括出普遍性的东西。笔者认为,当代舞蹈的现代性研究应从舞蹈学出发,但不囿于舞蹈学视角的研究,而是力图从特殊到一般的视角内梳理、总结舞蹈实践所体现的艺术"现代性"的普遍特性与规律,以理论创新推进新学科建设。It is a basic issue in contemporary Chinese dance history studies to assess and describe the characteristics of modernity of the development of Chinese contemporary dance. It is a process from the ＂uniqueness＂ of dance studies to the ＂generality＂ of art studies when investigating the general law of the art in the phenomenon of dance art. In order to transfer from ＂uniqueness＂ to ＂generality＂, the study of the development of Chinese contemporary dance should emphasize the theoretical study of the practice of contemporary dance development, with consideration on the ＂truth＂ of artistic practice and historical narrative. Meanwhile, it should try to use the artistic concepts drawn to synthetically investigate the cases of dance art forms so as to conclude general results. The author argues that the study of modernity of contemporary dance should begin with, but not restricted to, dance studies and its perspective; rather, it should try to move from uniqueness to generality within the perspective, concluding the general laws and rules of the art ＂modernity＂ in the dance practice. Consequently, the theoretical innovation will advance the construction of the new discipline.

关 键 词：艺术学 当代舞蹈 现代性 

分 类 号：J702[艺术—舞蹈]