电影《鸟人》长镜头语言中的低碳美学  

Analysis of Low Carbon Aesthetics in Long Shot Language of Bird Man

作　　者：付慧青[1] 

机构地区：[1]山东师范大学传媒学院,济南250014

出　　处：《山东青年政治学院学报》2017年第1期108-111,共4页Journal of Shandong Youth University of Political Science

摘　　要：电影《鸟人》因其深刻的人性内涵荣获第87届奥斯卡最佳影片,整部影片在故事创作上遵循了本真人性原则,在人物性格的人性真实与镜头内容上的客观真实上有很高的德性艺术价值,引发了观众的共鸣与沉思,"文艺创作的法则就是美学原则,而美学原则的本质就是本真人性原则",由此可以看出电影《鸟人》符合低碳美学特征,是一部难得的低碳艺术作品。而该片最值得称道的就是它伪"一镜到底"式的长镜头运用,而这里的长镜头都是基于人性的真实需要来组织。为了探求长镜头是如何使影片处处闪耀着人性的关怀这一问题以低碳美学理论为切入点,从题材、叙事、主题三个方面来解析《鸟人》长镜头的低碳性质。The movie Bird Man was awarded the eighty-seventh Oscar for best film because of its profound connotation of humanity. The film follows the reality principle in the story of creation,with high artistic value of objective truth virtue reality of humanity and the lens in the character of the content,it causes the resonance and contemplation of the audience. ＂ Art creation is the law of nature and aesthetic principle,aesthetic principle is the reality principle＂,we can see that the movie Bird Man with low carbon aesthetic characteristics,is a rare low carbon art. And what is the most commendable in this film is its use of long shots,a pseudo mirror to the end,while all the long lens are based on the real needs of human nature to be organized. In order to explore how the long shot make the film shining the human care of this problem,this paper will take low carbon aesthetics from professor MA Lixin＇s theory as the starting point,from such three aspects as properties,theme,narrative theme,to discuss the low carbon character of the Bird Man long shot.

关 键 词：低碳美学 长镜头 人性 

分 类 号：J905[艺术—电影电视艺术]