《小鲍庄》的叙事艺术  

The narrative style in Bao Town

作　　者：史玉丰[1] 

机构地区：[1]河南理工大学文法学院,河南焦作454000

出　　处：《河南理工大学学报（社会科学版）》2017年第1期54-59,共6页Journal of Henan Polytechnic University:Social Sciences

基　　金：国家社会科学基金项目(13CZX037);河南省教育厅人文社会科学项目(2014-qn-645)

摘　　要：《小鲍庄》的意义不仅在于讲述了寻根的故事,更在于讲述故事的方式:对神话的借用和置换形成了它宏大的书写视阈与审美气象,运用反讽艺术在显性和隐性的双重话语对峙中发现了失根的历史真相,通过多重象征意蕴探讨了人类命运、人类苦难、人类文化等宏大命题。在寻根与失根之间,表达了作者对中华民族文化重建的现实思考与文化焦虑。The meaning of Bao Town not only lies in the story of seeking roots, but also its narrative style ： forming a grand writing perspective and aesthetic style by borrowing myths, discovering the history of “losing roots” by employing ironies in explicit and implicit discourse confrontation, and discussingsuch issues as human destiny, human sufferings and culture through multiple symbolizations. It showedthe author’s pondering over the culture reconstruction in China and cultural anxiety through “ losing roots” and “seeking roots”.

关 键 词：小鲍庄 神话叙事 反讽 象征意蕴 

分 类 号：I207[文学—中国文学]