论元曲曲牌与金代道士词  

Research on Dramas in Yuan Dynasty and Taoist Ci in Jin Dynasty

作　　者：时俊静[1] 

机构地区：[1]河北师范大学文学院

出　　处：《浙江艺术职业学院学报》2016年第4期12-18,共7页Journal of Zhejiang Vocational Academy of Art

基　　金：国家社科基金青年项目"元曲曲牌传播研究"阶段性成果。(项目编号:11CZW037)

摘　　要：金代道士词有一些新增牌调与元曲同名,还有一些牌调虽前代已有,但与元曲曲牌格律存在较大差异,金词才是这些曲牌的真正"近亲"。元曲曲牌与金代道士词的密切关系,值得关注。但我们并不简单地认为这些元曲曲牌来源于道士词。金代道士词背后的民间歌唱才是元曲曲牌的渊薮。通过道士词的投射,我们可以看到在民间歌唱中,新牌调源源不断产生,原有牌调在演唱中不断变异的真实情况。同一曲调的唐宋词、金代道士词、元曲可谓民间歌曲在流变中不同时段的"取样"。时空距离越大,变异就越大。元曲曲牌与唐宋词牌大多名同实异,而与金代道士词则有更大的相似性也就在意料之中了。The new allusions of taoist Ci in Jin dynasty partially have the same name with drama in Yuan dynasty, but part of them which already existed in previous dynasties have big differences with dramas in Yuan dynasty, so Ci in Jin dynasty is the real ＂close relatives＂ of these allusions. The close relation between dramas in Yuan dynasty and Taoist Ci in Jin dynasty is worthy of attention. But we do not simply think that these dramas come from the Taoist Ci. The folk song behind the Taoist Ci in Jin dynasty is the real source of the allusions of dramas in Yuan dynasty. Through the Taoist Ci, we can see the new allusions be continuously produced and the original ones vary through the singing with time flies. The poem in Tang dynasty, Ci in Song dynasty, Taoist Ci in Jin dynasty and drama in Yuan dynasty can be deemed as the different samples of folk songs in different times. The longer the time-space distance is, the bigger the differences are. So it＇ s no wonder that Yuan dynasty drama is more similar with Jin dynasty Ci than Ci in the Tang and Song dynasties.

关 键 词：元曲 曲牌 道士词 民间曲 

分 类 号：J818[艺术—戏剧戏曲]