格里菲斯与美国内战电影的叙事范式  

Griffith and the Narrative Pattern of the American Civil-War Movies

作　　者：李军[1] 

机构地区：[1]浙江工商大学人文与传播学院,浙江杭州310018

出　　处：《浙江工商大学学报》2017年第1期5-12,共8页Journal of Zhejiang Gongshang University

摘　　要：文章站在美国百年内战电影史的宏观视野,阐述内战结束后半个多世纪美国社会特别是南方社会对内战及战后重建的集体记忆和历史重构,以及由此形成的"南方迷思",重点分析这种历史迷思对格里菲斯《一个国家的诞生》的直接影响,揭橥《诞生》创作主题的基本范式,以及对其后一个世纪内战电影的深远影响,从而为百年美国内战电影研究提供了一种文化历史学的分析框架。From the perspective of the movie history of the centennial American Civil War, this paper expounds the collec- tive memory and the historical reconstruction of the Civil War and post-war reconstruction of the American nation, especially the southern states, where the ＂Southern Myth＂ was born. It focuses on the analysis of the direct impact of this myth on Griffith＇s The Birth of a Nation, exposes the basic pattern of the theme, and demonstrates the far-reaching influence on the fol- lowing Civil-War movies within the century; henceforth it provides a cultural historical analytical framework for the future study of the American centennial Civil-War movies.

关 键 词：格里菲斯 《一个国家的诞生》 内战电影 叙事范式 

分 类 号：I235[文学—中国文学]