从《小团圆》看张爱玲的晚期风格  

On Her Late Style in The Little Reunion by Eileen Chang

作　　者：首作帝[1] 郭爽[1] Shou Zuodi Guo Shuang

机构地区：[1]浙江师范大学人文学院

出　　处：《华文文学》2017年第1期118-123,共6页Literatures in Chinese

摘　　要：《小团圆》体现出了张爱玲的晚期风格,"还钱"行为与身体叙事构成了互文性,"隔离"是人际关系的基本姿态,"痛苦之浴"的人兽转化书写彰显深刻的讽刺艺术。《小团圆》采用了现代主义手法,散漫的叙述与成熟的张力无缝对接,对立、矛盾、冲突与分裂的力量造就了悲剧。The Little Reunion reflects Eileen Chang＇s late style as the act of‘ returning the money＇is inter-textualized with the body narrative,‘separation＇ is the basic posture in the human relationship and the turning of a being into an animal in the ‘painful bath ＇ reveals a profound ironical art. By employing modernist techniques, The Little Reunion has its discursive narration and mature tension seamlessly connected, with a tragedy formed of the power of confrontation, contradiction, conflict and division.

关 键 词：《小团圆》 张爱玲 晚期风格 

分 类 号：I207.4[文学—中国文学]