网络文学审美范式之建构——兼谈网络小说《琅琊榜》  

The Construction of the Aesthetic Paradigm of Online Literature:On the Online Novel Nirvana in Fire

作　　者：葛娟[1] 

机构地区：[1]浙江传媒学院文学院,教授杭州310012

出　　处：《中国文学批评》2017年第1期114-123,共10页Chinese Journal of Literary Criticism

摘　　要：雅俗互济可以内在地建构网络文学的审美范式。具体到小说创作中,类型/创新、传奇/人物、幻想/现实、娱乐/情怀等对立地融合于一体,使小说在叙事体式、故事形态、虚构方式和价值取向上,既遵从商业化文学的法则,又追求文学的审美理想,以满足大众读者不断提高的审美需求。《琅琊榜》"回归有情的胜利",表明商业化、娱乐化与文学的严肃性、深刻性并非如预设的观念那样相互排斥。建构雅俗相融的审美范式,是网络文学进一步健康发展的需要。The combination of elegance and vulgarity inherently constructs the aesthetic paradigm of online literature.Specific to fiction writing,the combination of opposing elements,such as genre—innovation, legend—character, fantasy—reality, entertainment—feelings, enables works of fiction not only to follow the principles of commercialized literature but also to pursue the aesthetic ideal of literature in terms of narrative style,story pattern,storytelling methods and value orientation so as to meet the increasing aesthetic needs of readers.'The successful feeling expression'in Nirvana in Fire shows that commercialization and entertainment are not incompatible with serious and profound literature.Therefore,it is necessary to construct an aesthetic paradigm that combines elegance and vulgarity for a healthier development of online literature.

关 键 词：网络文学 审美范式 雅俗互济 

分 类 号：I207.42[文学—中国文学]