雄浑大雅的自然之声——清代山水词综论之一  

The Sound of Nature——A Comprehensive Study of the Scenery Poems in Qing Dynasty

作　　者：时志明[1] SHI Zhiming(Education and Humanities, Suzhou Vocational university, Suzhou 215104, China)

机构地区：[1]苏州职业大学教育人文学院,江苏苏州215104

出　　处：《济宁学院学报》2017年第1期17-22,共6页Journal of Jining University

摘　　要：清代山水词主题宽阔,题材多样,反映了清代社会空前的强盛和发达,清词风格呈多元化发展,说明清代山水词人既坚守传统风格的深化,又不断超越自己,把词风朝不同的方向进行横向推宕,遂形成清代山水词迥异前人的多样化风格。清代山水词不但风格多样,而且词境也得到多角度开辟,他们的山水词境是其人格特质的物化显现。清代山水词脱胎于宋代山水词,但因生存环境不同、国家实力差异较大,所以清代词人与宋代词人之间有着巨大的落差,清代山水词与宋代山水词犹如冰与水、青和蓝的关系。The theme of the Scenery poem in the Qing Dynasty was broad and diverse, reflecting the unprecedented prosperity and development of the Qing Dynasty, and the style of Qing Poems was diversified. In the Qing Dynasty, the Ci poets of the mountains and rivers insisted on the tradition, and constantly surpassed themselves, and pushed the poetic styles in different directions, thus forming the diversified styles of the Scenery poems in the Qing Dynasty. In the Qing Dynasty, the scenery poems were also developed from different perspectives, which is the manifestation of their personality traits. The Scenery Poems in Qing Dynasty were originated from the Song Dynasty. However, due to the different living environments and the great difference of the national strength, there was a huge gap between the poets of the Qing Dynasty and those of the Song Dynasty. The relationship between the Scenery Poems in the Qing Dynasty and those in the Song Dynasty are like ice and water, blue and blue.

关 键 词：清代山水词 主题扩大 风格多元 词境拓展 清词与宋词比较 

分 类 号：I207.23[文学—中国文学]