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作 者:陈梅[1] 吕富华[1] Chen Mei Lv Fuhua(Department of History and Culture, Chifeng University, Inner Mongolia, 02400)
机构地区:[1]赤峰学院历史文化学院,内蒙古赤峰024000
出 处:《赤峰学院学报(哲学社会科学版)》2017年第2期12-15,共4页Journal of Chifeng University:Philosophy and Social Science Chinese Edition
基 金:内蒙古社科规划办红山文化暨契丹辽文化研究基地项目"契丹辽文化旅游资源利用与产业研发"(2014J171)
摘 要:平台玩具(Platform toy)塑造了许多鲜活的玩偶形象,已经成为一种时尚潮流。玩具具有启蒙智慧开发思维的功能,它不仅是孩子们的专属玩偶,更多成年人青睐它并寻求情感寄托。本文以辽代壁画中仕女的造型特征,提炼契丹辽文化中典型仕女的形象元素,以平台玩具为绘画载体,设计一款名为"七七"的平台玩具,提出了辽代壁画仕女的造型艺术在创意平台玩具应用的具体方案,使静置的契丹辽文化活化,使现代平台玩具带有民族特色,促进契丹辽文化的传播。The plalform toys shape a lot of vivid image of doll and become a fashion trends. Toy has the function of enlightenment wisdom development thinking. It is not only the children's exclusive dolls, but also more adults prefer it, and to seek emotional sustenance. The paper, based on the shape characteris- tics of the Liao Dynasty murals in traditional Chinese, refining the typical female image element in Khitan Liao cuhure, taking platform toys for painting, designing a platform toy named"qiqi", puts forward the concrete project for the Liao Dynasty murals plastic arts of traditional Chinese female applied to creative platform toys. It makes Khitan Liao culture alive and modern platform toys with ethnic characteristics to better promote the Khitan Liao culture.
分 类 号:K879[历史地理—考古学及博物馆学]
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