视觉文化社会中的电视奇观现象——解读美剧《X档案》  

Television Spectacle in the Visual Culture Society——The Interpretation of the X-Files

作　　者：董偲 DONG Si(College of Literature and Arts, Qufu Normal University, Qufu 273165, Shandong)

机构地区：[1]曲阜师范大学文学院,山东曲阜273165

出　　处：《济源职业技术学院学报》2016年第4期117-120,共4页Journal of Jiyuan Vocational and Technical College

摘　　要：美剧《X档案》所引发的关注已经形成了一种电视文化奇观,也就是凯尔纳所说的"媒体奇观",是当代视觉文化社会中不可忽视的大众文化现象。《X档案》在一定程度上展现了美国当代文化,它所具有的叙事模糊性和奇观冲击性,不仅反映了奇观背后的商品逻辑和复杂社会关系,而且导致了《X档案》现象的多重阐释,从而使观众的参与和解读得以实现。As an American drama, The X - Files has formed a kind of television culture spectacle, just as the media spectacle mentioned by Kellner. It is a phenomenal popular culture that cannot be ignored in the visual culture society. The X - Files released the American contemporary culture in a certain extent, whose characteristics of ambiguous narrative and visual spectacle show the logic of the goods and complex social relations, then lead to multiple interpretations of The X - Files＇ phenomenon and achieve the audience＇ s participation and interpretation.

关 键 词：电视奇观 X档案 奇观冲击 叙事模糊 观众参与 

分 类 号：J905.712[艺术—电影电视艺术]