米·爱普施坦的后现代主义批评话语构图  

The Composition of Postmodernist Critical Discourse by M.Epstein

作　　者：宋羽竹[1] 

机构地区：[1]黑龙江大学俄语学院

出　　处：《俄罗斯文艺》2017年第1期22-28,共7页Russian Literature & Arts

基　　金：国家社科基金重大项目"当代俄罗斯文艺形势与未来发展研究"(13&ZD126);教育部人文社科基地重大项目"当代俄罗斯文化思潮演变及其影响研究"(14JJD740002)的阶段性成果

摘　　要：后现代主义作为俄罗斯20世纪70年代以来的新文化现象已经为诸多批评家所关注。爱普施坦通过三角形构图法、集心构图法、辐射构图法等建构了其俄罗斯后现代主义批评话语,所呈现的后现代主义模态具有散点透视的特征。爱普施坦后现代主义批评话语对构图法的引入,既有建模的抽象化效果,又植入了历史的动态演变,有助于对俄罗斯的后现代性进行多维解读。Postmodernism as a new cultural phenomenon in Russia since the 1970s has been concerned by many critics. M. Epstein has composed the postmodernist critical discourse by means of triangular composition, concentric composition, and radiant composition and so on, in which the presented postmodernist modality has the charaeteristics of cavalier perspective. The introduction of composition method in M. Epstein＇ s pnstmodernist critical discourse nnt only has the abstraction effect like modeling, but also absorbs the dynamic evolution of the history, which are helpful to the muhidimensional presentation of Russian postmodernity.

关 键 词：米·爱普施坦《后现代在俄罗斯:文学与理论》 后现代主义批评 话语构图 

分 类 号：I512.06[文学—其他各国文学]