两个时代,两个海鸥——阿库宁对契诃夫《海鸥》的再创作  

Seagull and Seagull:Different Versions in Two Eras Akunin's Recreation for Chekhov's Seagull

作　　者：马卫红[1] 

机构地区：[1]浙江外国语学院西方语言文化学院

出　　处：《俄罗斯文艺》2017年第1期37-42,共6页Russian Literature & Arts

摘　　要：契诃夫的戏剧作品不仅是"新戏剧"的典范,而且因其具有很强的可辨识性、潜在的未完成性、结尾的开放性和复杂的思想内涵,而成为许多后现代主义作家进行改写和再创作的对象。这其中,阿库宁对《海鸥》的再创作可谓别具特色,他将一部抒情哲理剧改造成"谁是凶手"的杀人游戏,其文本融合了后现代主义创作手法、侦探小说、戏剧、电影蒙太奇等多种元素,时原作的象征意象、人物形象和主题思想等方面进行了大胆的解构和重构,旨在于荒诞戏谑中对当代社会中道德沦丧、人性缺失进行反思与批判,同时也为在新的历史语境下重读经典提供了新的思考视角。Chekhov＇ s play is not only the model of new drama, but also the object of rewriting and recreation for many postmodern writers, for its discerning power, potential continuity, open end and complicated thought connotation. Akunin＇ s recreation for the Seagull is distinctive. For example, a lyric philosophy play has been converted into a killing game ＂Who is the Murder＂ , by Akunin, its version combines many postmodern techniques together, including detective fiction, drama, film montage, etc. He demonstrates and reconstructs the symbolic image, character image and theme thought of the original work, aiming to reflect on and criticize the moral degeneration and the lack of humanity in the contemporary society and provides a new perspective for rereading classic works under the new historical context as well.

关 键 词：《海鸥》契诃夫 阿库宁 改写 象征 艺术风格 

分 类 号：I512.073[文学—其他各国文学]