试论莫迪亚诺“既视”式的记忆艺术  

On the Art of Memory in the Pattern of “Déjà Vu”

作　　者：翁冰莹[1] 冯寿农[1] 

机构地区：[1]厦门大学外文学院

出　　处：《外国文学研究》2017年第1期70-79,共10页Foreign Literature Studies

基　　金：福建省社会科学基金青年项目"莫迪亚诺占领时期小说的叙事策略与人文关怀研究"【项目批号:FJ2015C176】;厦门大学校长基金课题"布尔迪厄的文艺场域与文学批评研究"【项目批号:20720151214】;"厦门大学繁荣哲学社会科学特别资助项目"【项目批号:0650-Y07200】的阶段性成果

摘　　要："记忆的艺术"是莫迪亚诺文学叙事的重要特色之一。围绕这一特征,借助文学视域下的"既视"叙事理论,以其"占领三部曲",即《星形广场》、《夜巡》、《环城大道》为研究对象,来有所侧重地探讨"偏执狂既视"、"两难者既视"、"边缘人既视"这样的多重性框架下的"记忆的艺术",即尝试构建一个新的批评视角,来探析其文学创作中的"既视"式的记忆艺术,从而揭示其以此方式召唤最不可把握的人类命运,揭露占领时期的犹太人乃至整个人类的生存的思想主题。＂The art of memory＂ is one of the most important features in Modiano＇s literary narratives. Under the perspective of the ＂deja vu＂ narrative theory, Modiano＇s Occupation Trilogy-La Place de l＇ Etoile, Night Rounds and Ring Roads - can be seen as a typical demonstration of the art of memory within the multiple framework of three types of deja vu： that of the paranoid, the dilemmatic, and the marginalized. In discussing these three types of deja vu, this paper attempts to construct a new critical approach to the art of memory in the pattern of ＂deja vu＂ presented in the Trilogy, and as a result to reveal how with this art Modiano evokes ＂the most ungraspable human destinies＂ and uncovers the theme of the existence of the Jewish people during the occupation as well as the existence of the whole human beings.

关 键 词：既视 记忆的艺术 莫迪亚诺 

分 类 号：I565.074[文学—其他各国文学]