试论当代少数民族舞蹈发展中“舞蹈人”的主体价值——以贾作光、莫德格玛、刀美兰为例  

The Subject Values of “Dancers”in the Development of Contemporary Chinese Minorities Dance:the Case Study of Jia Zuoguang,Maude Ngema,and Dao Meilan

作　　者：施俊波[1] 

机构地区：[1]鲁东大学艺术学院,烟台264025

出　　处：《北京舞蹈学院学报》2017年第1期68-73,共6页Journal of Beijing Dance Academy

摘　　要：想要窥探到当代少数民族舞蹈的发展和规律,就要充分了解创造舞蹈历史的舞人,它是个人意识和活动相互催生的结果,如果说社会的出现是由于人类为满足需求不断发挥主观能动性使然,那么舞人的主体意识则是推动舞蹈发展的强心剂,因此舞人成为研究舞蹈史的核心。在当代民族舞蹈发展史上,一批杰出的少数民族舞蹈家,他们将少数民族舞蹈逐步规范、美化,建立起科学、较为完整的舞蹈体系,以全新的方式诠释着少数民族的情感和文化特色。那么,他们是如何推动少数民族舞蹈的发展,又在中华舞蹈史上发挥了怎样的积极作用?本文将以贾作光、莫德格玛、刀美兰这三位杰出的少数民族舞人为例,运用历史主义研究方法,将三者放置于当代舞蹈的历史语境之下,通过他们的作品和成就,对其主体价值在少数民族舞蹈符号化、传承性和突破性等方面的作用进行具体的分析。It is necessary to know about the dancers who created the dance history if we intend to probe into the developing rules of Chinese minorities dance. The dancers should be the center of dance history research because they are the stimulus to improve the development of dance history. A group of extraordinary Chinese minorities＇ dancers normalized and beautified the Chinese minorities dance, as well as constructed the complete system of Chinese minorities dance, interpreting the regional dance culture＇ s characteristics in whole new ways. The paper, based on the case study of Jia Zuoguang, Maude Ngema, and Dao Meilan, and applying the method of historicism, analyzes the subjective values of these three extraordinary dancers, and the values＇ influences on the symbolization, the inheritance, and the innovations of Chinese minorities dance.

关 键 词：民族舞蹈 少数民族舞蹈 舞蹈人 主体意识 

分 类 号：J703[艺术—舞蹈]