萍乡傩舞艺术特征分析  

The Artistic Features of Nuo Dance in Pingxiang

作　　者：张维[1] 柯黎[1] 

机构地区：[1]江西师范大学音乐学院,南昌330027

出　　处：《北京舞蹈学院学报》2017年第1期114-117,共4页Journal of Beijing Dance Academy

摘　　要：萍乡傩舞作为江西傩舞艺术的重要代表,它的形成和发展与周傩、楚巫有着密切关系。"驱鬼去疫"的攻击性,以及军傩的影响,萍乡傩舞表现出"武味十足"的风格特点。无论其表演程式,还是节目内容,都以戏的方式呈现,道教文化的影响在萍乡傩舞中无处不在,突显了萍乡傩舞的本质内涵。锣鼓乐伴奏,节奏、节拍、曲牌的不同要求则充分体现出萍乡傩舞"乐随舞变"的审美趣味。Pingxiang Nuo Dance is an important representative of Jiangxi Nuo art, which has a close relationship with Chu Witchcraft during the process of its formation and development. Due to its functions of ＂driving away the ghosts and sickness＂ and the influence from the Jun Nuo, Pingxiang Nuo Dance represents the stylistic characteristics of ＇ Wu＇ （ martial arts）. The process and content of the performance are shown in the way of Chinese traditional opera. ＂Living fossil of Chinese traditional opera＂ is the most appropriate interpretation of Pingxiang Nuo. The influence of Taoist culture everywhere in Pingxiang Nuo greatly embodies the essence of Nuo Dance in Pingxiang. With gongs and drums, the different requirements with rhythm, tempo, and the tunes fully reflects the aesthetic tastes of Pingxiang Nuo Dance with the principle of ＂dancing with music＂.

关 键 词：萍乡傩舞 仪式结构 存在方式 表演风格 文化内涵 审美趣味 

分 类 号：J722.1[艺术—舞蹈]