符号化的雕塑材料——材料情感的表达与把握  

Symbolized Sculpture Materials:Expression and Mastery of Emotions Contained in Materials

作　　者：彭博[1] 

机构地区：[1]长江师范学院美术学院

出　　处：《天津美术学院学报》2016年第3期107-108,共2页Northern Art:Journal of Tianjin Academy of Fine Arts

摘　　要：自杜尚的"现成品艺术"以来,得益于传统概念的约束的消解以及自身具备的灵活的可利用性,雕塑材料成为具有符号功能的信息媒介;当雕塑的视觉形象——一个由材料构建的空间中的造型——无法完满地标示创作意图或作品情感时,某些具有特别意义的材料却能够很好地填补因视觉形象在引导性方面的不足所造成的能指功能的缺失,甚至可以直接通过材料而非视觉形象来传达创作意图,表达作品情感。After the appearance of Marcel Duchamp＇s ＂readymade art＂, benefiting from the dissolving of the restraints of traditional concepts and their own flexible availability, sculpture materials became an information medium with symbolic function. When the visual image of a sculpture, a shape in space constructed from materials, fails to fully satisfy the creator＇s intention or to express his feelings, certain specific materials can well make this up and even convey the intention directly without the help of the visual image.

关 键 词：雕塑材料 艺术符号 材料观 

分 类 号：J305[艺术—美术]