庆阳香包色彩的主观性  

The Subjectivity of Qingyang Sachet Color

作　　者：刘雷[1] LIU Lei(Academy of Fine Arts, Longdong University, Qingyang 745000, Gans)

机构地区：[1]陇东学院美术学院,甘肃庆阳745000

出　　处：《陇东学院学报》2017年第1期141-144,共4页Journal of Longdong University

摘　　要：庆阳地处黄土高原腹地,民间艺术文化生活绚烂多彩。庆阳香包色彩丰富、造型多样,用色大胆直接,不受物体光源色和环境色的影响,色彩的变化民间艺人按照五行色彩的方法和自己主观的感觉来配色,主要以红、白、蓝、黑、粉五色为主。庆阳香包的色彩也极富内涵,不同的色彩有着不同的寓意,在民间一般都具有驱邪纳福,吉祥保安的寓意,在古代常常作为青年男女之间的定情信物,也是其地位的象征。Qingyang is located on the Loess Plateau where we can find a wealth of folk art and culture.Qingyang Sachet is one of the most representative with rich color,variety of modeling entrusted with the majority of local people＇s positive attitude towards life.With a bold direct use of color,Qingyang Sachet is not affected by the object light color and environmental color which the folk artists to change in accordance with color methods and their subjective feeling to color with red,white,blue,black,pink colored mainly.Qingyang Sachet varies in colors and different colors have different meanings,such as exorcism,bringing in wealth,and auspicious peace.In ancient times,Qingyang Sachet is often used as a token of love between young men and women.It is also a symbol of status.

关 键 词：香包 主观性 色彩 

分 类 号：J528[艺术—艺术设计]