论元杂剧“声调”之音乐美  

A Summary of the Discussion of the Musical Beauty of Yuan Drama

作　　者：武秋莉[1] WU Qiuli(Humanities College, Inner Mongolia University for Nationalities, Tongliao, Inner Mongolia, China 02800)

机构地区：[1]内蒙古民族大学文学院,内蒙古通辽028000

出　　处：《内蒙古师范大学学报（哲学社会科学版）》2016年第6期28-31,共4页Journal of Inner Mongolia Normal University：Philosophy and Social Sciences Edition

基　　金：教育部人文社会科学研究西部和边疆地区项目"元曲曲式研究"(14XJC751002)研究成果之一

摘　　要：元杂剧"声调"之说包含对语言文字的音声间平仄阴阳,四声交错协调,韵律和节奏等语言音乐美的把握和追求。讲平仄,讲阴阳,其目的是剧曲演唱时字音字义的明确。从乐曲看,衬字虽为附属,但在乐曲的音调、节奏中能使乐调更富有张力,表现抑扬顿挫、回环往复之美,使杂剧曲文成为富有音乐性的语言。在追求元杂剧"声调"之音乐美的过程中,不同宫调的音乐声情特点,使杂剧语言不仅仅是能听,而且强调唱来动听圆美。The theory of the tones of Yuan Drama involves the grasp and pursuing for the musical beauty of the Chinese characters such as the interlocked and coordinated level and oblique tones, the rules of rhyming and rhythms. The purpose of paying attention to the level and oblique tones is to be clear about the pronunciations and meanings of the characters when sung by performers. What＇s more, from the per- spective of songs, although inserted words are attached to the musical tones and rhythms, they can make the musical tones full of pulling force, rhythms and cadence. This beauty of winding and reciprocating makes Yuan songs and drama a language full of musical elements. In the process of pursuing the musical beauty of the tones of Yuan drama , we have found out the characteristics of different musical tones , which make Yuan drama not only listenable, but also delightful to ears.

关 键 词：元杂剧 声调 音乐美 

分 类 号：I206.2[文学—中国文学]