检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者: 唐卫萍(译)[2] 宋武全(校) Toru Yusa tr. TANG Wei-ping rev. SONG Wu-quan(Graduate School of Humanities and Social Sciences, Okayama University, Okayama, Japan Institute of Art Education Hangzhou Normal University, Hangzhou 311121, China)
机构地区:[1]日本冈山大学大学院社会文化科学研究科 [2]杭州师范大学艺术教育研究院,浙江杭州311121
出 处:《美育学刊》2017年第2期63-71,共9页Journal of Aesthetic Education
摘 要:经驻清公使夫人康格提议,美国女画家卡尔为慈禧绘制了肖像画。这幅肖像画先是被送往1904年圣路易斯万国博览会展览,后赠与美利坚合众国政府。对慈禧而言,一方面这是向西方展示其权力的绝佳时机,同时也是一种重塑国家形象的政治外交战略。作为肖像画的"身体"由此被赋予了一种新的政治性。Proposed by the wife of Ambassador of United States, Sarah Pike Conger, the American artist Katharina Carl fin- ished a portrait for Cixi. The portrait firstly sent to 1904 St. Louis World's Fair for exhibition, then as a gift to The United States of America. For Cixi, the making of the portrait means a chance showing the political power to the western country, meanwhile as a strategy to rebuild the image of Qing government. The portrait as the " body" was endowed with a new political character.
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:216.73.216.28