意境:在审美空间的想象和再造中发生——论中国山水画的审美理想及其艺术表达  

Imagery Beauty that Lives in the Aesthetic Space through Imagination and Recreation:A Study on the Aesthetic Ideals and Artistic Expression in Chinese Landscape Paintings

作　　者：李新生[1] 

机构地区：[1]河南师范大学美术学院,河南新乡453007

出　　处：《河南师范大学学报（哲学社会科学版）》2017年第2期135-139,共5页Journal of Henan Normal University(Philosophy and Social Sciences)

摘　　要：中国山水画空间和意境是中国山水画的审美精神、审美理想和表达形式的最好载体和生动体现,它们共同构成了中国山水画的精华与意蕴,这是因为画中的空间已经不是纯客观的现实空间,它已经转化为画家内心中理想化、心灵化、自由化了的超时空的艺术表现空间。而意境则是画家艺术创作中情与景、意与象的高度统一又相互融合的最佳结果,是中国山水画审美理想及其艺术表达的最高境界。The space and mood of art in Chinese landscape painting is the best carrier and vivid embodiment of the aes-thetic spirit, aesthetic ideal, and expressing forms. They constitute the essence and connotation of Chinese landscape painting all together. It is because the space in the Chinese landscape painting is no longer a purely objective real space, but has been converted into the inner of idealized, and mental, the liberalized ultra-space of art in the mind of Chinese landscape painter. The mood is the best results of the unification and fusion of each other in “emotion and scenery”, “intention and image” in a painter＇s artistic creation. And this formed the unique and artistic charm of Chinese landscape painting.

关 键 词：中国山水画 空间 意境 

分 类 号：J201[艺术—美术]