伦理悖论与叙事动力:《西去的骑手》叙事策略解读  

The Narrative Paradox and Narrative Theory of Power——A narrative strategy in The Westing Rider

作　　者：廖高会[1] 

机构地区：[1]中北大学,人文社会科学学院,山西太原030051

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2017年第3期123-126,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)

摘　　要：红柯的长篇小说《西去的骑手》存在着叙事的伦理悖论,这种悖论主要表现在小说表层结构中不断彰显的个人自由伦理和作品深层结构中社会公共伦理之间的冲突与背离,作者采取增添人物伦理性格、对比叙事、诗性叙事与神性叙事等多种策略调校与缓和二者间的冲突,但每次调校都产生了新的叙事悖论,小说正是在不断的调校中形成了叙事悖论之链,从而成为丰富小说内涵和增强小说艺术魅力的一种叙事技巧。因此,叙事悖论被巧妙地转换成了一种有效的叙事动力,成为叙事的内在机制和策略。Hong Ke＇s novel Westing Rider exists a paradox of narrative ethics. This paradox mainly embodied in the novel reveals the personal freedom of ethics and writers inner conflict between social public ethics and deviation, authors to add ethical character, comparative narrative, poetic narrative and divinity, and other strategic adjustment and mitigate the conflict between them, and yet every set-up a new narrative paradox, the novel is formed in the course of continuous calibration chain of narrative paradox, becoming rich connotation and enhance the artistic charm of a kind of novel narrative techniques. Narrative paradox has been neatly transformed into a kind of effective narrative impetus, become a kind of narrative mechanism and strategy.

关 键 词：西去的骑手 伦理悖论 个人自由伦理 社会公共伦理 叙事张力 

分 类 号：I106.4[文学—世界文学]