杨恩寿的“三原”戏曲论——以其两种“丛话”为研究的重点  

YANG En-shou's “three original” drama theory:focus on his two books

作　　者：王辉斌[1] 

机构地区：[1]湖北文理学院文学院,湖北襄阳441053

出　　处：《重庆第二师范学院学报》2017年第2期57-62,共6页Journal of Chongqing University of Education

摘　　要：晚清戏曲批评家杨恩寿的《词余丛话》与《续词余丛话》,是清代戏曲论著史上的两部重要著作。"二话"所论戏曲律吕、作家作品、"本事"与"遗事"三个方面,既各具特点,又各有所获,是杨恩寿戏曲认识观的直接反映。清人裴文禩认为其较之《随园诗话》等"更足启发心思,昭示来学"者,堪称的见。The late Qing Dynasty drama critic YANG En-shou's two books,Ci Yu Cong Hua and Xu Ci Yu Cong Hua,are two important works of the drama history in Qing dynasty.The two books discussed three aspects on drama sound system,writers and works,original and other stories,both with their own characteristics and advantages.They were the direct reflection of YANG En-shou's drama concept.PEI Wen-si of Qing Dynasty thought them 'more enlightening to learners' than other books like Sui Yuan Shi Hua.

关 键 词：杨恩寿 戏曲论著 “三原” 

分 类 号：I206.2[文学—中国文学]