李攀龙对盛唐七言古诗的模拟与创变  

Li Panlong's Resembling and Reforming on The Seven-Word Archaic Poems in the High Tang

作　　者：张晨[1] 

机构地区：[1]中国社会科学院研究生院文学系,北京102488

出　　处：《江苏师范大学学报（哲学社会科学版）》2017年第2期64-71,共8页Journal of Jiangsu Normal University：Philosophy and Social Sciences Edition

摘　　要：李攀龙重视学习盛唐诗,但并非"拟古不化";他不仅接受并学习唐诗传统,更有着反思和改良唐诗传统的尝试。李攀龙的七言古诗即在一定程度上实践了他"拟议以成其变化"的诗学主张。从词句、章法层面上,李攀龙对盛唐七言古诗进行了比较细致的学习,在词句以及创作技巧上多有借鉴盛唐七言古诗之处。同时,李攀龙的七言古诗风格面貌与盛唐七言古诗不尽相同,他将描写重点由盛唐的自然物象转移到了人物形象上,并且对七言古诗的创作技巧进行改革,使得其七言古诗呈现出"人文化"与"整练"的个人特色。Li Panlong thought highly of resembling the poetry of the High Tang in his own writing, which surely did not make him a slavish poet. Not only did he adopt and learn the tradition of the High Tang, hut also try to reconstruct and even to complement the tradition. Li Panlongs seven-word archaic poetry gave his famous assertion ＂Resembling and Re- forming＂ some good exemplification. Compared with the Seven-Word archaic poems of the High Tang, Li Panlong in his writing successfully made his own style of metaphor by which human spirit and dignity were represented, instead of fol- lowing the ancients in light of their description about nature, whereas Li Panlong still learned from his predecessors about the using of words and composition in poems. Li Panlong＇s writing style could be characterized with terms such as dignity and sublimity.

关 键 词：李攀龙 七言古诗 盛唐 模拟 变化 

分 类 号：I207.7[文学—中国文学]