还原《吴歌甲集》编撰的场景与系统梳理吴歌传统的新期待  

New Anticipations for the Compiling Scene Restoration of Collection A of Wu Songs and Systematic Combing of Their Traditions

作　　者：纪玲妹[1] 陈书录[2] 

机构地区：[1]河海大学(常州校区)人文社科部,江苏常州213000 [2]南京师范大学文学院,江苏南京210013

出　　处：《江苏师范大学学报（哲学社会科学版）》2017年第2期72-78,共7页Journal of Jiangsu Normal University：Philosophy and Social Sciences Edition

基　　金：国家社科基金重大项目"明清民国歌谣整理与研究及电子文献库建设"(项目编号:15ZDB078)的阶段性成果

摘　　要：顾颉刚在民国初期搜集、编撰的《吴歌甲集》,是中国现代意义上吴歌整理与研究的开山之作,颇有开启新文化的时代先锋性,但也难免有其时代的局限性。无论从时间上的历史流变,还是从空间上的地域流传来看,都有进一步补编、拓展《吴歌甲集》及其乙、丙、丁、戊、己系列的余地,都有必要对吴歌传统进行全面、系统地梳理,而且这种期待中的集成性成果应该从吴歌文献整理、理论研究两个方面着力,并力求方法上的求实与创新。Collection A of Wu Songs, complied by GuXiegang early in the period of the Republic of China （1912--1949）, is the original work in the compilation and researches on the Chinese modern Wu Songs, with the pioneering spirit for the new culture but the limitations for the age. There is still a lot of work to do in compiling and expanding Collection A of Wu Songs and other collections of B, C, D, E and F, from the perspectives of the historical development in time and re- gional spreading in space, and still a great necessity of the comprehensive and systematic combing of Wu Songs, which should focus on the literature collection and theoretical researches with realistic and innovative methodology.

关 键 词：吴歌甲集 增补 系统梳理 吴歌传统 

分 类 号：I207.72[文学—中国文学]