戏曲宾白与曲词的叙事功能及相互关系  

Narrative Function and Relationship of Spoken Parts and Lyrics in Ancient Dramas

作　　者：刘二永[1] 

机构地区：[1]山西师范大学戏剧与影视学院,山西临汾041000

出　　处：《南通大学学报（社会科学版）》2017年第2期72-77,共6页Journal of Nantong University:Social Sciences Edition

摘　　要：戏曲语言有两种不同的形式——曲词和宾白,前人多认为"曲文抒情,宾白叙事",其实这只是二者的主要功能。在古典戏曲理论中,剧论家们认为这两种语言形式都具有叙事功能,但各有所重。其中,宾白承担着主要叙事任务,从故事结构来看,起承上启下的作用,从叙事内容来看,展现着故事的颠末脉络;而曲词常常表现为将宾白中所叙内容再叙,因其得到曲牌、宫调相助,将浓郁的情感蕴育在一吟一唱中,使戏曲故事的表达具有了情事相容、意蕴丰富的内涵;同时,曲词与宾白在叙事中相互倚助、互相推动、不可偏废。There are two different forms in drama language, namely, lyrics and spoken parts. In terms of artistic function, many people believe that lyrics are used to express emotion while spoken parts to narrate. However, there are just the main functions of lyrics and spoken parts. In theory of ancient dramas, critics hold that both of them are of narrative function but have emphasis of their own. Spoken parts shoulder the responsibility of narration, play the roles of a connecting link between the preceding and the following, and reveal the plots of the drama. Lyrics usually are used to re iterate the contents of spoken parts, and imply emotion into singing and reciting with the help of tunes and rhymes. Meanwhile, lyrics and spoken parts help and promote each other in narration.

关 键 词：古典戏曲 宾白 曲词 叙事功能 

分 类 号：I207.37[文学—中国文学]