明清时期苏州地区城镇化趋势与昆曲传奇中的市民意识的厚化  

Urbanization Trend in Soochow Region in Ming and Qing Dynasty and A Rich Sense of Civic Consciousness Reflected in Kun Opera and Legend

作　　者：顾聆森 

机构地区：[1]江苏省昆剧院,江苏南京210004

出　　处：《艺术百家》2017年第1期173-179,共7页Hundred Schools In Arts

摘　　要：文章开辟了昆曲的市民话题。市民观众是昆曲发展成为全国性大剧种的决定因素。早在昆曲发祥时期,苏州城市经济依靠丝绸手工业的兴起而得以起飞,周边乡村随之加速了城镇化,从而使市民阶层迅速崛起并成熟,并倒逼着昆曲从士大夫厅堂流向市井草台。市民成为昆曲最重要的观众。明末以降,尤其清初"苏州派"的传奇作品,市民人物充塞了表演舞台,且常常占据舞台中心。市民的道德观、利义观和新兴市民的社稷观念被昆曲传奇不断厚化,并被传奇家珍藏于他们的传奇作品之中。In this paper, I start a talking about citizen class in Kun opera. Citizen audience is the decisive factor for Kun opera to become a national big opera. Early in the beginning period of Kun opera, urban economic in Soochow began to rise up, and urbanization became speeding up. This made that the burghers class rapidly developed, and also made that Kun opera went to grass -root class from scholar- bureaucrats class. Citizens became the most significant audiences for Kun opera. Since the late Ming dynasty especially early Qing dynasty, Soochow school legend works were filled with civic characters. Citizens＇ morals and beliefs in the god of the land and grain were richened through Kun opera legend.

关 键 词：戏曲艺术 昆曲传奇 苏州 城镇化 市民意识 市民阶层 社稷观念 

分 类 号：J80[艺术—戏剧戏曲]