“失控”乎? “掌控”是也!——鲁肯斯《失控》管弦乐配器技法拾趣  

Out of Control Or Under Control——Orchestration Techniques in Roukens' Out of Control

作　　者：范哲明[1,2,3] Fan ZheMing

机构地区：[1]沈阳音乐学院作曲系 [2]中国音乐家协会 [3]辽宁省音乐家协会

出　　处：《乐府新声（沈阳音乐学院学报）》2017年第1期10-23,共14页The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)

摘　　要：鲁肯斯的管弦乐曲《失控》是21世纪西方当代音乐的精品之一。这部作品不仅反映出这位欧洲"新生代"作曲家对于当代音乐创作观念以及美学追求的独特思考,同时也体现出他作为一位"少年老成"的管弦乐作曲家杰出的管弦乐配器才华。本文仅以这部作品的音色创新和音响转接技术的拓展为观察点,对鲁肯斯有关配器语言和配器技法的新创意作出评析。Roukens＇Out of Control is the one of the best contemporary orchestral works in 21st century.This piece reflects not only the unique thinking of the composer as one of the European new generation for the composition and the aesthetic pursuit of the contemporary music, but also his outstanding talent for the orchestral music. In this paper, Roukens＇ new ideas of the timbre innovation and the extension of the alternating technique in this composition could be observed for making comments on his new language and techniques of orchestration.

关 键 词：鲁肯斯 《失控》 管弦乐配器法 音色创新 音响转接技术 

分 类 号：J614.4[艺术—音乐]