傣族佛幡的材料和工艺形态研究  

Research on the Materials and Technique Forms of Dai Buddhist Banners

作　　者：果霖[1] 苟双晓[2] 施杰[1] 张天会[1] 徐人平[3] 

机构地区：[1]云南农业大学工程技术学院,云南昆明650201 [2]重庆文理学院美术与设计学院,重庆永川402160 [3]昆明理工大学机电工程学院,云南昆明650500

出　　处：《重庆文理学院学报（社会科学版）》2017年第2期24-29,共6页Journal of Chongqing University of Arts and Sciences（Social Sciences Edition)

基　　金：云南省哲学社会科学规划项目"傣族佛幡造型艺术与审美文化研究"(QN2014085);教育部人文社会科学研究规划项目"傣族织锦艺术符号与傣锦中的和谐文化思想研究"(13YJC720049)

摘　　要：使用彩纸、土布、织锦、丝线等多种材料的傣族佛幡,在发挥这些材料元素各自性能的基础上,以不同形态造就了佛幡造型的丰富质感。文章在讨论生动、美观的剪纸佛幡、艳丽夺目的刺绣佛幡、精美高雅的织锦佛幡和千姿百态的布画佛幡的材料和工艺案例的基础上,分析傣族佛幡独具匠心的材料运用和富有特色的加工工艺,并探讨材料和工艺之间的相互关系,以期对现代艺术品设计有所启示。The Dai Buddhist banners which were made by many distinctive materials such as color paper, homespun, brocade and silk thread, each performance of these material elements was exploited, and rich textures of Buddhist banner models through dif-ferent forms were forged. On the basis of discussing the vivid paper cutting Buddhist banners, the bright embroidery Buddhist banners, the beautiful brocade Buddhist banners and the various cloth painting Buddhist banners, the ingenious applications of materials and characteristic processing techniques were analyzed. Besides, the relation between materials and techniques was ex-plored, providing innovative enlightenment for the modern design.

关 键 词：傣族 佛幡 材料 工艺 

分 类 号：J523[艺术—艺术设计]