《文化批判》的革命文学论争与文学场域划分  

“Cultural Criticism”in Literary Debate and Division of Literary Field

作　　者：雷春莉[1] 

机构地区：[1]西华师范大学文学院,四川南充637000

出　　处：《太原学院学报（社会科学版）》2017年第1期56-59,共4页Journal of Taiyuan University(Social Science Edition)

摘　　要：后期创造社以《文化批判》为平台大力提倡革命文学,并与鲁迅等人展开了革命文学论争。通过夺得象征资本、借用权力资本等策略,后期创造社在论争中实现了重新划分文学场域的愿望,并巩固了自己在文坛上的地位。《文化批判》对左翼文艺理论和作品的译介,在为其树立革命文学旗帜的同时推动了整个左翼文艺的发展。In the late period,the creative society advocated the revolutionary literature on the platform of 'cultural criticism',and launched the revolutionary literature debate with Lu Xun and others. By the acquisition of symbolic capital,the usage of the power capital and other strategies,the creative society,in the debate,realized the desire to re divide the field of literature,and consolidated their position in the literary arena. 'Cultural Criticism'set up the banner of revolutionary literature,and,at the same time,promoted the development of the left-wing literature by translation and introduction of the left-wing literary theories and works.

关 键 词：文学论争 文学场域 左翼文艺 

分 类 号：I206.6[文学—中国文学]